More Politics For The Pittsburgh City Paper

Today the Pittsburgh City Paper puts out their 2017 Election Guide, featuring the Mayoral Race between incumbent Bill Peduto, and challengers Darlene Harris and John Welch.

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And, once again, I’ve been chosen to do caricatures of local politicians for the cover. Oh, politics. At least you afford me the opportunity to draw an elephant once in a while.

But the assignment was for more than just the cover image. This time I also had an interior spot illustration of Mayor Peduto, all gussied up as a circus ringmaster. Here’s some behind-the-scenes steps to getting this illustration from concept to print.

Peduto_caricature

Normally, doing political caricatures makes my stomach feel like I swallowed a bowl of thumbtacks for lunch. Too much pressure, too many politics. But Peduto is kind of fun to draw, so I didn’t bang my head on the desk too much during this job. First thing’s first: I collected my reference and worked up a sketch.

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Peduto’s a little cartoony to begin with, so it’s not that far a leap from photo to caricature.

Peduto_caricature

The original brief called for the mayor to be balancing on a rubber ball, like a trained seal. But (CP Art Director) Lisa and I batted it back and forth and decided on one of those pedestals that lions perch on — maybe because he’s cast as ringmaster rather than performer, maybe because it creates the illusion of more stability, maybe it just looks better.

So, the finished sketch gets approved and I move on to inks.

Peduto_caricature

Digital inks, done in ClipStudio (Manga Studio) with a standard brush.

We also had a brief discussion about color. Traditionally, circuses use the primary colors (red, blue, yellow) and I went with that. But Lisa thought, since it was an election guide, we should go with the good ol’ red, white, and blue. I agreed.

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Once the base colors are in, I start layering in the highlights, shadows, and texture. Here’s a gif that takes you from sketch to finished rendering.

CPElection_07_DorseEven though I’ve done quite a few of these political pieces for the City Paper, these caricatures are always a learning process for me. Sometimes I think I nail the likeness pretty well, sometimes I’m off the mark. But I never set out to mock anyone with the illustration. I just try to highlight predominant features or exaggerate attitude or bearing. Hopefully, it’s all taken in the spirit with which it was doodled. Good, clean fun. -v

Here’s the digital online version of this week’s City Paper, in case you’d like to read it.

Rush Job! City Paper Cover.

Right before the weekend I got an email from Charlie Deitch, Editor at the Pittsburgh City Paper. “I know it’s short notice, but do you have time to do a cover this week?” The answer to this, even if I don’t have time, is always yes. Yes, I do. Because money. And because I could use another portfolio piece. Not to mention the CP staff is great to work with. And, honestly, I kinda’ like the challenge of a rush job. So here’s a quick process breakdown.311_citypaper_digitalcover_sm_vincedorse-copy

Lisa, the art director, wasn’t in the office this week. But vacation be darned, she still managed to scribble her idea for the cover on the back of what looks like some humorous, cat-themed notepaper and get it to me. I hope she won’t mind my posting this, but I thought it’d be fun to show the process of building a cover from start to finish. 311_citypaper_process_dorse_02

That first, rough drawing is really all about getting the idea across. And Lisa’s not the only one who scribbles out wonky doodles in a hurry. Here’s the one I sent Charlie for approval.311_Process_DorseTerrible, right? Still, it’s about getting the idea across. I thought it’d be fun to spin the angle a little and have the girl walking right out toward the viewer, but basically, everything Lisa mentioned in her scribbled notes is here. Approved! Next step, polished pencil sketch.

311_Process_DorseWith these covers, I always begin with the file of the City Paper masthead that I keep handy. It helps me lay out the composition. Here are the polished pencils I sent in to Charlie, done in Clip Studio (Manga Studio) with a basic pencil tool. The brief didn’t indicate “Fall” but the first day of Autumn had just gone by and I thought it’d be appropriate to do a cover with a bunch of warm, Fall colors.

Initially, I was planning to ink over these pencils, like a traditional editorial or comic illustration. But the more I thought about it, the more I felt the image would work better as kind of a softer, storybook illustration. So I left the pencils in as my main lines and started in on the colors. Clock was ticking, too, so not inking over the pencils saved me a little time.

311_CityPaper_process_VinceDorseClip Studio has dozens of brushes I like for this kind of work: chalk brushes, watercolor, airbrush, and plain old flat fill brushes. I used all of those (and more) to start laying in color under my pencils.

311_CityPaper_process_VinceDorseI think most of what you see in this detail was done by various chalk brushes, layered on a little at a time. I enjoyed figuring out different textures (like the hair and sweater), and I’d be lying if I said drawing a nutty squirrel didn’t make this job twice as appealing.

311_CityPaper_process_VinceDorseThe water was done with a couple different airbrush tools in Clip Studio. I wanted the sidewalk to look a little wet and sparsely covered in fallen leaves, so I used a watercolor brush to get a bit of a wash effect on the colors.

311_CityPaper_process_VinceDorseThe manhole cover was textured with a pastel brush and some pencil tools. Same with the hole in the sidewalk, and then I blended it with a watery blender.

311_CityPaper_process_VinceDorseThe thing that took the longest was this tree. It was easy enough laying down colors in the trunk and then blending them, but those leaves! I know I could’ve gone with a red/orange/yellow watercolor wash. And I almost did, because I was under the gun. But once I started painting in the leaves (pencil tool) I really liked the look of them. So I just kept doing it until I was done. I turned in the illustration the next morning and it’s on the stands today! Here’s the finished illo without the cover text:311_CityPaper_process_VinceDorseThis was a really fun job. I got to experiment with some brushes, made the folks at the City Paper happy, and added another amusing illustration to my portfolio. Wins all around! I hope the City Paper considers me for their next rush job. I’m up for it. -v

Here’s a link to the online issue of this week’s City Paper.