Inking Prince John (from Disney’s Robin Hood)

There’s this middle-era of Disney animation that I just love. One of the movies from that era is Disney’s Robin Hood.

The villain of that movie is the scheming Prince John, a lion (and lyin’) king that’s a pretender to his brother’s throne. But, as conniving as he is, he’s actually a pretty funny Disney villain.

So I inked him with a brush pen and finished with some ink washes, while RunRedRun and I discussed Disney movies and what we liked so much about the art style in Robin Hood. Here’s the video:

Inking and Coloring Scooby Doo’s Captain Cutler and Trying Out Neon Markers

Had a little fun with another Scooby Doo villain. This time it’s Captain Cutler, the creep in the glowing diving suit that chases the gang around Rocky Point Beach.

I inked him with Sakura PIGMA Brush Pens, and colored him with some Copic Markers and Winsor and Newton Neon Markers that I ordered just for this little project.

And while I do all that, Run Red Run and I talk about markers, old-time diving suits, and that one time I went fishing. Here’s the video.

Making a Maze in Clip Studio Paint (for the National Cartoonists Society Activity Book))

I’m no mazologist (is that a word?), but I was asked to create a puzzle page for the National Cartoonists Society Activity Book. If I had to do it on paper, I might still be working on it. But Clip Studio Paint made it easy and quick. Oh, and I’ve added a link at the bottom letting you know where to download your own copy of the activity book!

Inking

This maze is packed with illustrations of my Untold Tales of Bigfoot characters. And since I know how to draw those guys, that’s where I started. I sketched in their shapes roughly in digital pencil, then used the Layer Color function to turn that sketch a light blue.

Then, on another layer, I inked with a brush tool. Doing it this way is low pressure since I can fix errors on the fly and get the work done much faster than I’d be able to with ink on paper.

Halftone Greys

Since this activity book will be a black-and-white publication and not color, I use Clip Studio Paint’s halftone dot patterns to add screen tones. The first step is to create a selection of where you want your dot pattern.

Then, from the pop-up menu, select the second-to-last option, New Tone. This brings up another pop-up that gives you options on the density and type of dot pattern you’d like to drop into the selection.

Once you pick one, click OK and the pattern appears on another layer, in a MASK that you can add to or subtract from— giving you the option to paint in (or remove) the dot pattern with ease.

Curve Rulers

Again, I’m not a maze-maker. So it took me a few (dozen) tries to digitally pencil out a path for Scout to take through the woods in his quest for Bigfoot. Doing it digitally made it easier to start over when I screwed up. But once the paths of the maze were set, I clicked the Layer Color option so I could turn the pencils blue and ink over them on another layer.

The lines of the maze aren’t ramrod straight or particularly smooth curves, but I used the Curve Rulers anyway because, besides helping you follow a designated path, they also help you keep a consistent line weight.

Drawing these lines freehand would’ve resulted — for me, at least — in inconsistent, bumpy lines that wouldn’t look very good. The Curve Ruler helped make the lines smooth and evenly weighted, but with a natural, hand-done feel.

Text Tool

For very simple typesetting like adding a title to this page, the Text Tool in Clip Studio Paint is a breeze. Just grab the text tool, plant the cursor where you want your text, and type it out. You can resize with the point size dropdown, or just grab a corner of the bounding box and stretch it to fit.

Eventually I used the font dropdown to change the font into something I thought fit better.

Finally, I used the Rounded Balloon tool in conjunction with the Text Tool to give Bigfoot and Scout something to say.

So that’s about it. Nothing too difficult. Just some very simple tools in Clip Studio Paint that make a relatively basic job a little easier and a bit quicker.

Now, the NCS Activity Book is packed with all kinds of puzzle pages from some of the most well-known cartoonists in the world: Sergio Aragones (MAD Magazine), Mo Willems (Don’t Let The Pigeon Drive The Bus), Jeff Keane (Family Circus), Jerry Scott and Jim Borgman (Zits), and many more. The pdf download is a pay-what-you-can deal of a lifetime and the proceeds go toward the NCS Foundation. You can find out more about that in this video as well as watch me put this Untold Tales of Bigfoot Maze together in Clip Studio Paint.

Coloring Bluto with Colored Pencils

Do kids in this era even know who Bluto is? Doesn’t matter. They know what bullies are. And Bluto’s the quintessential archetype of a classic bully. Bluto_colorscrop

Run Red Run and I talk a little about Popeye, the Bluto/Brutus name switch, and about my eleventh hour decision to try crosshatching with colored pencils. Honestly, I didn’t even plan on finishing this doodle. But it is what it is and I am what I am.

Scooby Doo’s Space Kook : Trying Out Ink Wash

Hey, if you’ve been following these short process videos I’ve been putting up with my friend RunRedRun, maybe you saw us ink a werewolf earlier this week.

Werewolf_thumb

But this past Thursday, we had fun trying out ink wash technique for the very first time with a quick illustration of Scooby Doo’s creepiest monster, The Spooky Space Kook!

Scoob_spacekook_thumb

How did it all turn out? You can watch the video below and decide for yourself. In just six or seven minutes RunRedRun and I manage to squeeze in quick conversations about inking, Scooby Doo, and Star Trek while I work.