Grin And Bear It

I’m the first one to admit, Michelle did most of the heavy lifting on this week’s project, A Fozzie Bear mini-diorama that’s part of Gallery1988’s latest show, Off The Leash, a celebration of our favorite non-human characters from pop culture.

We called the piece “Wocka Wocka” and it’s something we’ve wanted to do for a while; A tribute to Fozzie the comedian. It’s a simple tableau of everyone’s favorite comedy bear, up on stage, with a microphone and some props, doing what he does best — telling jokes.

So while Michelle was busy needle felting our fuzzy friend, I set about figuring out how to make the rest of the piece. I started with the microphone (arguably, his main prop). To cut, drill, and grind the metal parts of the prop, I ended up utilizing the Dremel Workstation Michelle got me for Christmas. It’s a pretty invaluable accessory to my rotary tool and I couldn’t have finished my part of this project without it.

The grip of the mic is a piece of wood I sanded down into that slightly flared profile. Then I used my Dremel and a sphere-shaped burr to scoop out a concave bowl shape in the end. That way I could securely glue in the head, which I’d sculpted out of clay and textured with a stiff brush.

And while Michelle’s Fozzie sculpt is clearly the star of the show here, I gotta say I’m pretty proud of the stage he stands on and the props he uses. Also — little known fact — I was the one in charge of drawing the eight-hundred-or-so dots on Fozzie’s tie.

To see Fozzie and the rest of the pieces in Gallery1988’s Off The Leash exhibit, click here.

And if you’d like to see Michelle and I put together our tribute to this comedy legend, you can watch the video below.

It’s Muppetober! Yeah? So what does that mean?

Hey! During October, a lot of artsy-types do a daily challenge: ink something every day, draw something every day, and they match it to a particular theme. I’ve done it before and I’m doing it again. This year, we’re calling it Muppetober!

For every day in October, I’ll be inking a Muppet. There’s a lot to choose from, so I’m just picking some of my favorites. But I’m not inking too heavily or elaborately, because it’s more than just inking, I’m also going to try to add some watercolor on top.

Will I be able to pull it off? I don’t know. We’re 13 days in and…yeah, it’s a struggle. And it’s not necessarily the drawing and inking. That’s goes down pretty smoothly. The watercolors, they’re a bit more involved. But the real pressure? The real time suck? Michelle and I are recording my process for all of these, editing and uploading a short to YouTube every single day.

All of this is going on, of course, while we’re juggling some other projects and commissions. But we’re letting you know about this in case you need some Muppets in your life every day. Even for just one precious minute.

Here’s the link to our shorts. Have fun!

Nothing But The Dead And Dying Back In Halloweentown

You can ignore the Simon & Garfunkle reference in the title. Sometimes I reach. But considering the number of zombies, mummies, and Frankenstein-types in the Disney Channel Original Movie, Halloweentown, it’s not too far off.

The diorama Michelle and I worked on this week, however, features a character from the movie that is definitely alive. In fact, they’re thriving like a pumpkin in early October. Because it is a pumpkin. A pumpkin person who appears in the movie for no more than three seconds, but quality, as you know, is more important than quantity.

I sculpted the little pumpkin kid out of Cosclay. I rely more on that lately than the Sculpey because I’ve dropped both and the Cosclay pieces tend to be a bit more durable.

Michelle worked on the base of this diorama, virtually recreating the town square in Halloweentown where we first see pumpkin kid.

It probably goes without saying, but it’s always Halloween in Halloweentown. So the town square is festooned with jack-o-lanterns and straw. So that’s what we did. Some wood for the picket fence, some soil and turf to cover the ground, and some scattered straw was all Michelle needed to set the scene.

Then she sculpted a jack-o-lantern to keep my pumpkin kid company.

In the end, I think the piece breathes some life into a character that may have been forgotten back in Hallowentown. And since the movie was a Disney Channel staple in the 1990s, we thought we’d give it the whole ’90s mid-west mall, glamour shots treatment. I can practically smell the Cinnabon.

Take a look at the video below to see our process.

Just An Old Fashioned Muppet Song

Today is Paul Williams’ birthday. If you don’t know who he is, you’re missing out. Musician, composer, actor…Paul Williams has had a dazzling and diverse career in show business for over five decades. But for me, the most impressive achievement he ever racked up was working with The Muppets.

Williams, along with Kenny Ascher, wrote the timeless classic, Rainbow Connection, and all the other amazing songs from the first Muppet Movie. Williams also penned all the tunes from the holiday classic Emmet Otter’s Jugband Christmas. If you’ve ever found yourself humming Barbecue at the holidays, you can thank Paul Williams. Years later, the Henson company picked him to create the songs for yet another Muppet holiday classic, The Muppet Christmas Carol.

Considering how important Williams is to the Muppets, Michelle and I decided to honor that collaboration (and his birthday) with an illustration of Williams jamming on-stage with some of our favorite Muppet musicians.

That means that he’ll be performing not only with the Frogtown Hollow Jubilee Jugband from Emmet Otter’s Jugband Christmas, but also the powerhouse rock band The Electric Mayhem who shook the rafters in The Muppet Movie.

He’ll also be joined by Rowlf on piano and, of course, Kermit the frog on banjo. But a performance this massive couldn’t be confined to just the paper it’s printed on. So Michelle and I decided to craft a sufficiently Muppety frame to showcase this band.

We wanted the frame to evoke the proscenium arch of the old Muppet Theatre. A throwback to vaudeville days, the Muppet stage was framed in rich, dark red wood with ornate gold accents. So Michelle and I set about finding all of the parts and pieces necessary to complete that visual.

That meant finding and painting a wooden frame and accents, right down to the seashell footlights. The overall effect when looking at the image is that you’re viewing a Muppet performance on a stage, in a classic, old-style theatre with, of course, Paul Williams front and center.

To see us put both the illustration and frame together — and to hear us gab about Paul Williams’ many artistic accomplishments for six solid minutes — you can watch the video below.

Trying Gouache For The First Time

I recently received a book filled with Mary Blair’s concept art for Disney and spent an hour flipping through all the amazing illustrations. It was a crash course in how to effectively use color and composition to tell a story.

The image above is from her concept artwork for The Adventures of Ichabod and Mr. Toad, a classic Disney feature and an annual watch around here near Halloween.

The book is filled with images like this, and, since Blair worked mostly in gouache and watercolor to create these images, it inspired me to try gouache for the first time. There’s a bit of a learning curve since this medium sits somewhere between acrylics and watercolors…and I consider myself a novice at both.

But, since experimenting is what we do around here, I pressed on. I started with a basic gradient blend, something Blair relied on heavily in her concept art. And while you can use gouache much like watercolor — diluting it and layering translucent washes — I tried to use it the way Mary Blair did in her illustrations: just enough water to create a loose but creamy texture that glides over the paper and remains satisfyingly opaque.

I ended up doing four separate paintings. Practice makes progress. Because Blair and her work for Disney was my inspiration, I stuck mostly to Disney ghosts. Doing a couple from the Haunted Mansion, and even my own take on the Headless Horseman.

For my first attempt with gouache, I was pretty happy with my results. But a lot of that was due to the gouache and how, even when the paint dried to a dead flat finish, the colors stayed vibrant and alive. I can’t wait to try it again and see what else I come up with.

The Haunted Mansion movie opens this weekend, so I may get out of the heat and into an air conditioned recliner to see if inspiration strikes again. And if you’d like to see my first-time gouache experiment, there’s a link to this week’s video below.

Taking A Shot At The Muppets

This week we worked on another diorama, this time for a Gallery1988 show called Idiot Box. It’s a show that celebrates television shows from 1999 on up through the present. We chose the one-season wonder, The Muppets.

This was a truly funny Muppet TV show that didn’t get a lot of viewers. The scene we recreated was from Episode 3, Bear Left Then Bear Write. Fozzie leaves the Muppets to wander through nature and write a hit comedy. But he’s felled by a park ranger’s tranquilizer dart and Kermit must come to his rescue.

This time out, Michelle felted Fozzie with wool while I sculpted Kermit with clay. And the base was a joint effort. So far it’s our favorite project that we’ve worked on together. You can see it, as well as all the other great entries in the Idiot Box show, at Gallery1988’s website.

And, as usual, if you’d like to see Michelle and I put this project together, you can watch the video down below.

Colored Pencil Practice with Hector from Coco

Couple of weeks ago, Michelle and I were racing to meet a deadline for a gallery piece but still needed to upload some sort of video to YouTube. That usually means I need to crank out some quick, 2D art and, hopefully, learn and grow a little during the creative process. Enter, Hector Rivera from Pixar’s Coco.

Hector is one of my favorite characters and, like I said, I needed to practice my colored pencil rendering. So I sketched Hector in pencil, and started layering in colors with my Prismacolor Premier colored pencils.

One of the things I wanted to work on is my blending. You can do it a few different ways. Layering color over color over color, of course. But once you have those color layers, maybe you’d like to smooth them out a bit. That’s where mineral spirits come in. You can brush those on and they act as a solvent, blending the colors even smoother.

You can also blend with a light-colored pencil, burnishing all the layers beneath into a smoother texture. I’m no expert. So I still have to work on this stuff. But that’s the benefit of cranking out a character sketch for a YouTube video. I get to practice and I end up with a fun piece of art.

Sharpened up the pencils for the final details — the decorations on Hector’s skull — and I’m about done. If you’d like to see me work on this from start to finish, the link to our video is down below.

Runaway Brain Mickey Captured On Canvas

Recently, Michelle and I went on a wild goose chase for an amazingly entertaining ’90s-era Mickey Mouse short called Runaway Brain. I wanted to paint the Mickey-monster from the cartoon, and I needed reference. But what we discovered was that Disney had all but buried the short in out-of-print vhs/dvd media, and wasn’t airing it on Disney+ either.

Over on our studio blog, you can read a very brief history of why Disney shuns this cartoon much the way Dr. Frankenstein shunned his monster. But the good news is, after weeks of searching in vain, Michelle and I realized we already had access to this short as part of a DVD/Blu-Ray set in our collection. It’s alive!

To find out where Runaway Brain may (or may not) be available, and to watch me hack out Disney’s most terrifying monster in acrylic on canvas, you can watch our video. But be warned: This is the kind of monster that would eat the Mickey Mouse Club for breakfast.

Inking Grogu (Baby Yoda) Plus: Ink It or Stink It!

I know. I inked a Baby Yoda last year. But this one’s better. And it’s all done with brush, no pens (not even brush pens)!

The primary reason I drew this little cutie again is because Run Red Run and I both got Disney Plus (finally) and we’re really enjoying The Mandalorian.

In this week’s video I ink Grogu but, as a special bonus, Run Red Run also plays a round of “Ink It or Stink It” and inks her own Grogu. How’d she do? Gotta watch the video.

This is the way:

Inking The Sanderson Sisters (from Hocus Pocus)

Would you believe I’d never seen Hocus Pocus until this past Halloween? The movie’s 27 years old and I guess it just slipped under my radar somehow.

But this year, Run Red Run made me watch it because it’s one of her favorite Halloween movies. And you know what? I liked it. Liked it so much I inked this illustration of the Sanderson Sisters while we discussed the movie.

Here’s the process video of this Halloween Leftover.

And if you enjoyed the witches of Hocus Pocus, you might enjoy this creepy old witch house that Run Red Run and I built a few weeks ago. It’s our very first build like this, and we had a lot of fun. We’ll probably be doing more of these.