Busway. A Pittsburgh City Paper Cover.

I had a lot of fun with this one. The City Paper’s editor, Lisa, wanted an illustration for a cover story on Pittsburgh’s Busways. And she wanted it to evoke that kidlit feel of something like a Richard Scarry book (with anthropomorphized animals going about their daily business).

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I also thought about those hidden picture puzzles in Highlights while I was setting up the composition. Just a lot of little things, all going on at once. I used Clip Studio Paint for this illustration. Here’s my process.

Pencils

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This was all sketched loosely in Clip Studio using the Blue Real Pencil. I just wanted to get something down quick to get approval from Lisa. Once she and the writer hammered out a few details, I was given the go-ahead.

Inks

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Inked in Clip Studio, with various inking tools. The most important tool at this stage were the Curve Rulers. I used those to ink all of those long, sweeping, curved lines (on the guardrail, sidewalks, roads, etc) and to help keep the lines of the buses and windows smooth.

Colors

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I used a couple layers in Clip Studio to keep the flat colors and the highlights/shadows separate. I do this mostly so if I change my mind about one or the other, I can make tiny changes without having to redo the whole thing.

Details

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The tortoise here is being trailed by a hare (running up the stairs) that just can’t catch him. As usual, the tortoise wins this race.

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March just wrapped up, so I had lions and lambs on my mind. I also threw in a bear with a Steelers jersey. Gotta rep the local sports teams.

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In this section, the Pirates and Penguins get a nod. So does Pittsburgh legend Mister Rogers. His X The Owl character is going about his day wearing a classic Mister Rogers sweater.

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The City Paper was kind enough to throw me this gig, so I made sure to put a CP Newspaper box in the picture. It was also a convenient place to put that banana the monkey’s so interested in. Oh, and that chicken? Originally, he was ‘crossing the road’ but that’s one of those edits they made at the paper. No crosswalks on busways. So now chicken’s riding the bus. I guess there’s more than one way to cross a road.

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Ducks feeding ducks, a teddy bear at a picnic, just another pleasant day in the park. And is that a familiar friend in the bottom right?

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Yup. I snuck in alternate universe versions of my Bigfoot and Scout characters (and even their squirrel pal, Squeaky). It’s a friendly city. I’m sure Bigfoot would feel right at home here.

And if you’d like to read the City Paper piece about Pittsburgh Busways (by Ryan Deto), here’s a handy link to the online article. -v

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Lil’ Kritters, Start To Finish

This is an illustration I did to freshen up my online gallery. Bunch of animals rocking out.

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It didn’t take too long to finish, and the process is pretty straightforward. Here’s how I put it together.

Pencils: The pencils, as usual, were done on paper. Different scraps of paper that I scanned in and arranged in a general “rock band” formation.

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Inks: I inked it in Clip Studio, using a standard brush. You could use any tool, of course. It really depends on what sort of effect you’re looking for. I wanted a standard, ink and brush look.

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I inked this with either the G-pen (which is a nice, all-around brush that comes standard) or a Hairpin Sable (which might be a custom brush I bought online). Either way, any basic inking brush will work. Heck, you could even ink it on paper and scan it in.

Here’s the stage of the drawing where you witness the skunk keyboardist get Pete-Bested out of the band by the groundhog.

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Here’s why: After I started inking, I realized that skunk would be a huge splat of black ink that would draw your eye away from everything else. So out goes Stinky, in comes Ringo.

Flats: I almost left it at this stage because it looked good enough to stop. You could probably make a case for stopping here, leaving it more of a graphic design statement than a fully-rendered illustration.

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I actually like it like this. But it’s really just the stage where I separate the elements into easily-selectable shapes to model with highlights, shadows, and textures.

Modeling: Still in ClipStudio, I used soft pencil, chalk, and watercolor brushes to render the fur and feathers.

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Logo, Levels, & Lighting: I worked up a quick logo for the bass drum in Photoshop (mostly because I just don’t understand the text tool in ClipStudio. Maybe I’m missing something but it seems really clunky and hard to work with). I slapped the logo on the bass drum and then adjusted my levels. Got the brights up a little brighter, the darks a little deeper.

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Then it was time for the finishing touch – the spotlights.  Since I was in Photoshop already, I just drew some spotlight shapes with the selection tool, filled it with a warm light color, tossed on a blur and boom. Done. Like I said, it didn’t take long to finish this illustration. Most of the work was training a bunch of animals to play “Stray Cat Strut” so I could snap reference photos. Now that I think about it, I should’ve gotten it on video -v

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