Sleestak Vs. Gorn! Winner Eats Chaka!

So, if you’re into retro, ’60s/’70s sci-fi television at all, you might recognize these goons. The Sleestak terrorized the Marshall family in The Land of the Lost, and the Gorn famously kicked Captain Kirk’s butt around the desert in the Star Trek episode, Arena. I’ve watched rerun after rerun of these shows and these creeps still give me the heebie-jeebies. So I thought it’d be fun to do a mash-up where they battle each other.

SleestakVsGorn_VinceDorseI ran a poll on Twitter to see which monster people thought would win this scrap. 21% sided with the Sleestak, 79% went with the Gorn. I’ll embed a poll down at the bottom of this post. Maybe you guys have a different opinion on who’d beat who, but if you want to see how I put this mash-up together, you can scroll through my process below.

PencilsPencil sketch. I sketched these guys and scanned them in, put ‘em on different layers in Photoshop to arrange them, then roughed out a general idea of the background and masthead. This is the point in the illustration where I ask myself, do I really wanna blow off my current illustration job to goof around on this junk? As usual, my answer is yes.

Layer Color button in MangaStudioI pull the piece into MangaStudio to begin inking. MangaStudio has this great little button in the Layer Property palette called Layer Color that gives everything on the selected layer a specific color cast. You can choose any color, but the default is this light blue, which is perfect for what I need.

Inking in MangaStudioInks: I use the Layer Color effect on my pencil layer to give them the look of traditional comic pencils done in non-photo blue pencil. Then, on a layer above that, I start my inking. It’s a lot easier to see the inks against the light blue pencils then the regular black/dark grey pencils. If you’ve never used that Layer Color button, give it a try.

Background inksBackground Inks: Here’s a detail of the cover where you can see some of the background inks. I just scratched in some tree bark and long grass with a standard brush. To draw the fern-like leaves in the background, I first filled the space with black, then switched my “ink” color to white and painted in the leaves.

Imaginary comic pitting the Sleestak against the GornFinished Inks: So here’s the finished inks for the illustration. Those hissing sound effects were done in Photoshop. I’ll keep saying it until it changes, but the text tool in MangaStudio is subpar and most of the time I pull things into Photoshop or Illustrator to layout/modify text. I guess I could’ve hand-lettered those hisses, but I really like the look of that typeface. For those of you who’ve never heard it, here’s the sound of Sleestak hissing.

Flat colorsFlats: If you enjoy coloring books, then laying down flats is your dream job. Otherwise, it’s a spirit-draining exercise in painstaking rigidity. It’s all about filling in the shapes and staying in the lines and it has to be done so there, I did it. Ladies and gentlemen…the flats.

Modeling the backgroundModeling the background: Here’s where I get to add some texture to the environment. You can see I sprayed the ground with some speckles of black during the inking stage to give the idea of a granular, sandy surface. Now I can use a rough-edged brush to splotch in some lights and shadows on the ground, varying the opacity, layering the color, keeping it nice and random.

Modeling the figuresModeling the figures: For the figures I used a harder-edged brush to add highlights and shadows to the rubber costu— er, slick, leathery, reptile skin. I dotted in the idea of scales with some lighter and darker greens, supplementing the scales I brushed in during the inking stage. Look at that toothless, old-man mouth on that Sleestak. I can only assume, in hand-to-hand combat, they must be deadly with those horns.

More modelingMore modeling: I used the same technique on the Gorn’s skin. In this progression of images you can also see the flat-color tunic, followed by the highlight/shadow version, followed by the finished tunic with that trippy ’60s design. The Gorn were such space-hippies. I had a Great Aunt in Philly and that mini-dress thing looks like it was cut from her plastic-covered couch.

Masthead letteringFinally, the masthead for my fake comic book cover. I hand-scrawled “Sleestak” to emulate the hand-scrawled “Beware Of Sleestak” warning from the walls of the caves in the show. The Gorn text I typed after routing through some monster-type fonts on my system and finding one that fit the bill. So, now that you know how I did it, who do you think would win this fight? -v

 

 

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4 Responses

  1. James T Kirk and Hillary Clinton in a Gorn Photoshop…

  2. Ooh – I dig the Layer Color tip, I’m going to try it right away. Agreed on the text tool too, I’ve been thinking of using InDesign just for text.

    • Hey Arp! Glad you liked that tip! I used to ink over my greyscale pencils and I was fine with that…but the difference between the black inks and “blueline” effect is a lot easier on the eyes. Gonna stick with that! Thanks for stopping by! -v

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